1. |
Foreword
01:31
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Due to the soon to be apparent nature of this collection of recordings, and overwhelmingly for the sake of transparency, I would like to provide a brief explanation for the noises that will follow. My intention in creating this is several-fold, but primarily to raise the question, what is the smallest broken fragment of sound or music that matters to us? In time, volume, intention, history, and sonic clarity, what do you find valuable? I would like the following recordings to be considered poetic music in that my compositional intention was to elicit that of a poem with many indents. With respect to the language present, there will be only one lyrical track, and the remainder should be considered only with the language used in the title. these tracks may be played in any order, and on any speakers, though are intended as a chronology on headphones. Please do not let the noises scare you. Enjoy.
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2. |
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D'not Lte Hte Nioses Srace Yuo
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3. |
the HEN is ON THE FARM
00:38
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4. |
Untitled [ss]
00:54
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5. |
listen, taken
01:56
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6. |
roundabouts
00:47
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7. |
2J1
01:41
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8. |
My CowBoy
00:44
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9. |
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10. |
toybox
01:20
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11. |
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12. |
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13. |
Untitled [Red Room]
02:14
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14. |
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15. |
an accordance part one
01:22
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[motherfucker] [keep doing what you're doing]
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16. |
spacer
01:05
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17. |
an accordance part two
02:06
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[edud kcis gnikcuf]
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18. |
birds
00:58
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19. |
bells on birds
01:16
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20. |
Voices 1
00:54
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21. |
Voices 2
02:09
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22. |
Untitled [Impression]
01:26
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23. |
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24. |
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25. |
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26. |
Janis (Birkenfeld Video)
00:24
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